Centro Galego de Arte Contemporanea, 'A Mancha Humana', Santiago de Compostela, Spain
Coleção Gilberto Chateaubriand, 'Arte Brazileira Anos 60 e 70, Museu de Arte da Bahia',
Casa de Cultura Laura Alvim, 'Mulheres de Laura: um Nó Cego', Rio de Janeiro, Brazil
Museo de la Tetulia de Cali, '28 Artistas do Brazil', Cali, Colombia
Funarte, 'Projetos Eventos Especiais', Rio de Janeiro, Brazil, 1995 Kanaal Foundation, 'Inside the Visible - Begin the Begin in Flanders', Kortrijk, Belgium
Whitechapel Gallery, ‘Anna Maria Maiolino. On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation Two Beats' (2012), which … Museo de Arte Moderno de Buenos Aires, 'The Circle Walked Casually' Buenos Aires, Argentia (Travelling exhibition)
The artist’s deeply formative migration from post-war Southern Italy to a politically unstable South America, and her linguistic passage from Italian to Portuguese, engendered an enduring fascination with identity. Museu Nacional de Belas Artes, 'II Ciranda de Psicanálise e Arte – Os Discursos Delirantes, "Desejo-Subjetividade-Hibridade"', Rio de Janeiro, Brazil, 2003 Paço Imperial, 'Ateliê FINEP - Arroz & Feijão – 2003', Rio de Janeiro, Brazil
Art and the Feminist Revolution', Los Angeles CA
Museo de Arte de Lima, '28 Artistas do Brazil', Lima, Peru
In the three freestanding sculptures ‘São 21 (They are 21)’ (2013), ‘São 25 (They are 25)’ (2013), and ‘Mais que Um (More than One)’ (2013) from the ‘Preposições (Prepositions)’ series, Maiolino incorporates the practice of Raku ceramics. David Zwirner, ' Cut, Folded, Pressed & Other Actions, New York NY
), 'Anna Maria Maiolino – Vida Afora / A Life Line', New York: The New York Drawing center, 2001, Doctors, Márcio, 'A Arte da Imanência', in: 'A Forma de Floresta – Espaço de Instalações Permanentes: Anna Maria Maiolino', Rio de Janeiro: Museu de Açude, 1999, pp. Lugares e Memória', Rio de Janeiro: Exposição Galeria Grupo B, 1973, Valladares, Clarival do Prado, 'Anna Maria Maiolino', Rio de Janeiro, 1967, Maiolino, Anna Maria, 'Anna Maria Maiolino. Prêmio Intercontinental 1974 - Galeria Intercontinental, Rio de Janeiro, Brazil, 1973 Prêmio Guignard, Aquisição - II Mostra de Artes Visuais, Niterói, Rio de Janeiro, Brazil
Beginning 7 May 2014, Hauser & Wirth will present ‘Anna Maria Maiolino. 2012 Alves, Paulo (ed. Anna Maria Maiolino, “TUDO ISSO,” installation view at Hauser & Wirth, Zurich (2016). Embaixada do Brazil em Paris, 'Galeria Debret', Paris, France
Objetos de Arte, 'Segmentos', Rio de Janeiro, Brazil
On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem 'Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. These works challenge notions of desire, language, and sexuality while examining themes of displacement, deprivation, and everyday rituals. Barbara Corti is a Senior Director in New York and has been involved with the gallery since its early days in Switzerland. 135-138, ill.
Performance Galeria de Arte, Brasília, Brazil
MALBA Museo de Arte Latinoamericano de Buenos Aires, 'Hable con ella', Buenos Aires, Argentina
26 Apr — 27 Jul 2018. Eu sou Eu. It provides readers with an unprecedented opportunity to enjoy the rich scope of Maiolino’s creative output to date. ), Beltrân, Erick, Hernández Felisberto, Hütte, Friedhelm + [et al. ___, 'MOCA exibe Anna Maria Maiolino em Los Angeles', on: touchofclass.com.br, Sao Paolo/BR, 29 November 2017, ill.
Fundação Luis Seone, 'Entre a Palavra e a Imagem', La Coruna, Spain
IMS Instituto Moreira Salles, 'Clarice Lispector: Laços', Sao Paulo, Brazil
Museu de Arte Contemporânea da Universidade de São Paulo, 'O que Você Faz Agora, Geração 60, Jovem Arte Contemporânea Revisitada', São Paulo, Brazil
Museu de Arte Moderna, 'Opinião 1966', Rio de Janeiro, Brazil, 1965 Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil, 1963 XX Salão Paranaense de Belas Artes, Curitiba, Paraná, Brazil
MuCEM', Milan: Skira, 2014 pp.134-135, ill. (exh. Maison de France, 'Mostra de Arte Experimental de Filme Super-8, Audiovisual, videoteipe', Rio de Janeiro, Brazil
2015 Galleria Raffaella Cortese, 'Anna Maria Maiolino', Milan, Italy (tbc). ), 'Inside the Visible – An Elliptical Traverse of 20th Century Art (in, of and from the feminine)', Cambrige/Boston/Kotrijk: The MIT Press/The Institute of Contemporary Art/The Kanaal Art Foundation, 1996, 2015 Munder, Heike (ed. MOAD Museum of Art and Design, Miami Dade College, 'The Body Electric', Miami FL
SESC Pompeia, 'Farsa', Sao Paulo, Brazil
Anna Maria Maiolino', on: www.newyorker.com, New York, May 2014, 2006 Asbury Michael, 'Anna Maria Maiolino: ordem e subjetividade', in: DARDO Magazine, Santiago de Compostela, pp. Dambrot, Shana Nys, 'Anna Maria Maiolino at MOCA', on: https://artandcakela.com, Los Angeles CA, 11 January 2018, ill. Gerwin, Daniel, 'Best of 2017: Our Top 10 Los Angeles Art Shows: Anna Maria Maiolino at the Museum od Contemporary Art, Los Angeles', on: hyperallergic.com, New York/NY, 20 December 2017, ill. ___, '10 to See. Available for sale from Hauser & Wirth, Anna Maria Maiolino, Por um fio (1976/2017), Black and white analog photograph, 44.5 × 65 cm Fundação Casa França-Brazil, 'Situações - Anos 70', Rio de Janeiro, Brazil
Hers is an art in search of a new language for the liminal realm of daily human existence. Giorgia von Albertini, St. Moritz, Switzerland, 2018 Pivô Arte e Pesquisa, 'Imannam | Ana Linnemann, Anna Maria Maiolino and Laura Lima', São Paulo, Brazil
Morais Frederico, 'Artes Plásticas', in: Diário de Notícias, Rio de Janeiro, 31 August 1967, Installation view, 'Anna Maria Maiolino', The Museum of Contemporary Art, Los Angeles CA, 2018, 14 Nov – 22 Dec 2018, New York, 22nd Street. Banco Central del Ecuador, '28 Artistas do Brazil', Ecuador, 1974 Museu de Arte Moderna, 'Panorama de Arte Atual Brazileira – Desenho', São Paulo, Brazil
Since 1989 her primary medium (but not only) has been clay, ceramics and molds. Unterdörfer, Michaela (ed. cat. Along with Lygia Pape, Lygia Clark, and Hélio Oiticica, Maiolino participated in the 1967 exhibition, ‘New Brazilian Objectivity’, which symbolized a cultural shift in previous constructivist traditions and established a new vision for the production of art in Brazil. Bousso, Vitória Daniela (ed. Generous support is provided by Hauser & Wirth, and the National Endowment for the Arts. Filters. Venâncio Filho, Paulo, 'Os Objetos Vitais de Anna Maria Maiolino', in: O Estado de S. Paulo, São Paulo, 15 June 1995, 1994 La Roque Leal, Claudio de, 'O Silêncio Contra a Repressão', in: O Liberal, Belém, 16 January 1994
Museu de Arte Moderna do Rio de Janeiro, 'Ao Colecionador', Rio de Janeiro, Brazil
Galeria Millan, 'Anna Maria Maiolino', São Paulo, Brazil, 2011 Malmö Kunsthalle, 'Anna Maria Maiolino', Malmö, Sweden (Travelling exhibition)
1942) 20 12. Anna Maria Maiolino is one of the most significant artists working in Brazil today and one of most important in exploring the matrix between clay, ceramics and molds. Always Innovative', on: www.journals.cambridge.org, 11 June 2015, ill. 2014 Rigby, Claire, 'Re-Digesting Her Own Work', in: ARTNews, New York, November 2014, ill. p.46
'II Salão de Artes Visuais', Porto Alegre, Rio Grande do Sul, Brazil
‘Being an artist, a woman, has been part of one and the same repertoire since the start,’ she says in a short text from 1997 entitled Vir a ‘ser’ ([Coming to ‘be’]; first published in ‘Anna Maria Maiolino: Vida Afora / A Life Line,’ ed. MAR Museu de Arte do Rio, 'Places of Delirium', Rio de Janeiro, Brazil
Pictures and details of Anna Maria Maiolino: TUDO ISSO (ALL THAT) at Hauser & Wirth Zürich, October 12 – December 23, 2016 – Contemporary art with installation views Julliard Enckell, Julie, Lee, Pamela, Müller, Nicolas, + [et al. Cohen, Joyce, 'Inside the Visible: An Elliptical Traverse of 20th Century Art', in: The New Art Examiner, Massachussetts, May 1996
Um, Nenhum, Cem Mil', São Paulo: Gabinete de Arte Raquel Arnaud, 1993, 1992 Moraes, Marcos José Santos de, 'Anna Maria Maiolino. Courtesy of Hauser & Wirth Courtesy of Hauser & Wirth For over five decades, Maiolino has drawn from her personal history as an artist, migrant, and mother, to produce works that relentlessly challenge accepted notions of desire, language, and sexuality while celebrating the viscerality of embodied experience. Find great deals for Anna Maria Maiolino Entre Pausas Hauser And Wirth Publishers. Rituals since 1851', Milan, Italy, 2014 CIFO Art Space, 'Impulse, Reason, Sense, Conflict. Nobé Gallery, 'Contemporary Brazilian Works on Paper', New York NY
Museum del Barrio, 'Anna Maria Maiolino e Gabriel Perez-Barreiro', New York NY
Sala de Arte Santander, 'Visiones de la Tierra / El mundo planeado – Coleção Luís Paulo Montenegro', Madrid, Spain, 2017 Miami Dade College Museum of Art and Design, 'Living Together', Miami FL
Críticos de Arte), Rio de Janeiro, Brazil, 1980 Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, 1974 (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil
Instituto Tomie Ohtake, 'Laços do Olhar', São Paulo, Brazil
For two years beginning in 1968, Anna Maria Maiolino (born 1948) moved to New York from an unstable political situation in Brazil, working within the Latin American artist community. Referencing topics of immigration, poverty and politics, Maiolino fuses together memories to interpret the passing of time, reflecting on the nature of identity, self and belonging. Major solo exhibitions also include ‘Continuum’, Camden Arts Centre, London, England (2010); ‘Order and Subjectivity’, Pharos Center for Contemporary Art, Nicosia, Cyprus (2007); ‘Territories of Immanence’, Miami Art Center, Miami FL (2006); ‘Many’, Maiolino’s first retrospective in Brazil hosted by the Pinacoteca do Estado de São Paulo (2005); and ‘Vida Afora/A Life Line’, The Drawing Center, New York NY (2001). MAXXI Museo nazionale delle arti del XXI secolo, 'Senzamargine. Galeria Base, 'Samico e Suassuna – Lunário Perpétuo', Sao Paulo, Brazil
Published by Hauser & Wirth Publishers. Goodman, Jonathan, 'Anna Maria Maiolino', in: Parachute Contemporary Art Magazine, Quebec, v. 106, April 2002
Hauser & Wirth Anna Maria Maiolino Artist Born 1942 in Scalea, Italy. Space Cardin, 'Festival Internacional do Filme Super-8', Paris, France
Museu de Arte Moderna São Paulo, 'I Salão da Eletrobrás', São Paulo, Brazil, 1968 XXII Salão Municipal de Belas Artes, Belo Horizonte, Minas Gerais, Brazil
Photo: Genevieve Hanson ‘Dieter Roth. We dreamt of a free and autonomous Latin America, with its own economic resources, and art was no different in this respect’. —Louise... To visit the exhibition, book a timed viewing appointment here. 12 - Exhibitions — Anna Maria Maiolino Between Senses — Installation views — Hauser & Wirth 2014. Belo Horizonte, 'II Feira Nacional, Centro Cultural D.C.E. Available for sale from Hauser & Wirth, Anna Maria Maiolino, São 8 [They Are Eight] (1993), Moulded cement with pigment, 39 3/8 × 49 1/4 × 5 1/8 in 2018 Dambrot, Shana Nys, 'Anna Maria Maiolino at MOCA', on: https://artandcakela.com, Los Angeles CA, 11 January 2018, ill.
Galeria Gabinete de Arte Raquel Arnaud, 'Hilomorfor-esculturas', São Paulo, Brazil, 2004 Galeria Mercedes Viegas Arte Contemporânea, 'Segmentos', Rio de Janeiro, Brazil, 2003 Galeria Gabinete de Arte Raquel Arnaud, 'Indícios, Vestígios & Outros', São Paulo, Brazil, 2002 The Drawing Center, 'Anna Maria Maiolino: a Life Line/Vida Afora', New York NY
Spazio Oberdan, 'Food', Milan, Italy (Travelling exhibition)
Zeno X Gallery, 'Off Road', Antwerp, Belgium
Museo de Bellas Artes, 'Realigning Vision: Alternatives Current in South', Caracas, Venezuela
For Maiolino, paper becomes more than a surface for drawing; it is both ‘matter and body’, expressed through the act of gesture. Centro Cultural Cândido Mendes, 'Em Lugar de...' Rio de Janeiro, Brazil, 1979 Galeria Aliança Francesa, 'Feijão com Arroz', Rio de Janeiro, Brazil, 1976 Petite Galerie, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1974 Galeria Arte Global, 'Anna Maria Maiolino', São Paulo, Brazil, 1973 Galeria Grupo B, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1967 Galeria Goeldi , 'Anna Maria Maiolino', Rio de Janeiro, Brazil, 1964 Galeria G., 'Anna Maria Maiolino', Caracas, Venezuela, 2020 Solid Art, 'like a luminous animal', Taipei City, Taiwan
Galeria P.A. Anna Maria Maiolino is one of the most significant artists working in Brazil today. Espaço Cultural Santander, 'Papel & Tinta', Porto Alegre, Brazil
55-71, 1999 Osuna Carmen, 'Un Lugar de Encuentro', in: Con Barro, Córdoba, n. 2, 1999
Museum of Fine Arts, 'Realigning Vision: Alternatives Current in South America – Drawing', Caracas, Venezuela
The drawing ‘Untitled’ (2006), from the series ‘Codificações Matéricas (Matter Codification)’, exemplifies the poetic discourse that Maiolino generates from the simplicity of a single gesture. 14 Nov — 22 Dec 2018. 108-109
Anna Maria Maiolino, Untitled, from Desenho/Objeto series (1974), Courtesy of Hauser & Wirth. Art and the Feminist Revolution', Los Angeles: The Museum of Contemporary Art, 2007, pp. Desejo de Espaço: Fontana/Brasil', in: 'A ótica do Invisivel: Lucio Fontana/Brasil', Milan: Edizione Carta, 2001
Itaú Cultural, 'Mostra Marginalia - Anos 70: o Experimentalismo no Super-oito Brazileiro', São Paulo, Brazil
I Festival de Filme Super-8, Curitiba, Paraná, Brazil
Anna Maria Maiolino: Entre Pausas On the occasion of the exhibition ERRÂNCIA POÉTICA (POETIC WANDERINGS), Hauser & Wirth Publishers is pleased to release ‘Entre Pausas’ (Between Pauses), a new artist book that publishes 74 drawings from Maiolino’s eponymous series for the first time. 1461’, 2013, permanent installation at Hauser & Wirth New York, 18th Street. Paço Imperial, 'Caminho do Contemporâneo 1952/2002', Rio de Janeiro, Brazil
Galeria do Instituto Cultural Brazil-Argentina, 'Nova Figuração Rio / Buenos Aires', Rio de Janeiro, Brazil, 1986 Paço Imperial, 'Sete Décadas da Presença Italiana na Arte Brazileira', Rio de Janeiro, Brazil
your own Pins on Pinterest In 2010, the major retrospective ‘Anna Maria Maiolino’ opened at the Antoni Tàpies Foundation, Barcelona, Spain and travelled to the Galician Center for Contemporary Art, Santiago de Compostela, Spain (2011) and Malmö Kunsthalle, Malmo, Sweden (2011). MAR Museu de Arte do Rio, 'Casa Carioca', Rio de Janeiro, Brazil
Brito Cimino Arte Contemporânea e Moderna, 'Exposição', São Paulo, Brazil
250-255, 2001 ___, 'A Otica do Invisivel. Add your contemporary art event to ArtRabbit. XXII Bienal Internacional de São Paulo, 'Brazil Século XX', São Paulo, Brazil
Hauser & Wirth. 189, 200
Projects 86: Gert & Uwe Tobias', New York NY, Cisneros Fontanals Art Foundation – CIFO, 'The Sites of Latin American Abstraction', Miami FL, Itaú Cultural, 'O Corpo na Arte Contemporânea Brazileira', São Paulo, Brazil, Museu Vale do Rio Doce, 'CASA - Poética do Espaço na Arte Brazileira', Vila Velha, Brazil, Paço Imperial, 'Ateliê FINEP - Arroz & Feijão – 2003', Rio de Janeiro, Brazil, Espaço Experimento, Parque das Ruínas, 'Genealogia do Espaço', Rio de Janeiro, Brazil, The National Museum of Women in the Arts, 'Virgin Territory', Washington DC, ICI, 'An Experiment - the Sixties Legacy', New York NY, Museu do Açude, 'A Forma na Floresta', Rio de Janeiro, Brazil, Museum of Contemporary Art, 'Realigning Vision: Alternatives Current in South America – Drawing', Monterrey, Mexico, The Institute of Contemporary Art, 'Inside the visible', Boston MA, 'II Bienal Barro de America', Caracas, Venezuela, Centro Cultural Banco do Brazil do Rio de Janeiro, 'Fronteira dos Vazios', Rio de Janeiro, Brazil, Centro Cultural Banco do Brazil do Rio de Janeiro, 'Gravura de Arte no Brazil: Proposta para um Mapeamento', Rio de Janeiro, Brazil, Paço das Artes, 'O Clássico no Contemporâneo', São Paulo, Brazil, SESC Pompeia, 'Gente de Fibra', São Paulo, Brazil, Galeria Millan, 'Figura e Objeto', São Paulo, Brazil, IV The International Drawing Triennale, Wroclaw, Poland, Paço Imperial, 'Sete Décadas da Presença Italiana na Arte Brazileira', Rio de Janeiro, Brazil, VI Bienal Internacional de Arte, Valparaiso, Chile, Millenium Film Workshop, INC., 'Brazilian Super-8', New York NY, II Trienal Internacional de Desenho, Wroclaw, Poland, III Salão Nacional de Artes Plásticas, Rio de Janeiro, Brazil, 'Artistas Amélia Toledo, Anna Maria Maiolino, Luiz Ferreira, Maria do Carmo Secco, Maria, Mitos Vadios, terreno baldio na Rua Augusta, São Paulo, Brazil, Coleção Gilberto Chateaubriand, 'Arte Brazileira, Anos 60 e 70', Casarão João Alfredo, Recife, Pernambuco, Brazil, Belo Horizonte, 'II Festival de Arte FPA: O Corpo', Menas Gerias, Brazil. A Luta Continua. This exhibit has been organized with the independent dealer Oliver Renaud-Clément, and is accompanied by a publication modeled on a 1959 exhibition catalogue for Neo-Concrete Art at the Museum of Modern Art Rio de Janeiro. Anna Maria Maiolino. Discover (and save!) Beginning 7 May 2014, Hauser & Wirth will present ‘Anna Maria Maiolino. Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by co-president Marc Payot. 978, 1057. Between Senses / Hauser & Wirth, New York May 7 – June 21, 2014. A family business with a global outlook, Hauser & Wirth has expanded to include outposts in Hong Kong, London, New … Artists and Estates ... Anna Maria Maiolino (b. Born in wartime Italy in 1942, Anna Maria Maiolino immigrated with her family to South America in 1954, living first in Venezuela and moving to Rio de Janeiro in 1960. 'V Jornada Brazileira de Curta Metragem', Salvador, Buenos Aires, Brazil
Updates to our global locations. ), 'Resistance performed', Zurich: JRP| Ringier, 2015, pp. Maiolino relates the act of molding clay to the act of writing and the mobility of drawing; molding involves a language of hand gestures, a type of serial aesthetic exploration conducted through the acts of kneading, rolling, stretching, and cutting. Shopping Morumbi, 'Eduardo Sued, Nuno Ramos, Frida Baranek, Anna Maria Maiolino...', São Paulo, Brazil, 1992 Centro Cultural Banco do Brazil do Rio de Janeiro, 'Gravura de Arte no Brazil: Proposta para um Mapeamento', Rio de Janeiro, Brazil
Museu de Arte Moderna de Buenos Aires, 'A Tale of Two Worlds', Buenos Aires, Argentina (Travelling exhibition)
EN TUDO - TODO [In everything - all]’, São Paolo, Brazil
Cabañas, Kaira M., 'Anna Maria Maiolino', in: Artforum, New York/NY, 2 January 2018, ill. 2017 Gerwin, Daniel, 'Best of 2017: Our Top 10 Los Angeles Art Shows: Anna Maria Maiolino at the Museum od Contemporary Art, Los Angeles', on: hyperallergic.com, New York/NY, 20 December 2017, ill.
Hauser & Wirth, 'Sensitive Geometries', New York NY
Casa de Petrópolis, 'O Século das Mulheres – Algumas Artistas', Rio de Janeiro, Brazil
The Garden. 'V Bienal Nacional de Santos: Artes Visuais', Santos, São Paulo, Brazil, 1994 Centro Cultural Banco do Brazil do Rio de Janeiro, 'Fronteira dos Vazios', Rio de Janeiro, Brazil
Hauser & Wirth, 'Between Senses', New York NY
SCAD Museum of Art, ‘Por um fio (By a Thread)’, Savannah GA, Galeria Luisa Strina, ‘Anna Maria Maiolino. Prêmio MASP de Artes Visuais 2012', São Paulo: Comunique Artes, 2012
172-173, 1996 Venâncio Filho, Paulo, 'Anna Maria Maiolino: the doing hand', in: de Zegher, Catherine, 'Inside the Visible – An Elliptical Traverse of 20th Century Art ( in, of and from the feminine), Cambrige: The MIT Press, Boston: The Institute of Contemporary Art, Kotrijk: The Kanaal Art Foundation, 1996, 1994 Doctors, Márcio, 'Gesto, Repetição, Singularidade', in: 'Um, Nenhum, Cem Mil', Rio de Janeiro: Centro Cultural Banco do Brasil, 1994, 1992 ___, 'America Bride of the Sun: 500 Years Latin America and the Low Countries', Antwerp: Royal Museum of Fine Arts, 1992, pp. Works in São Paulo: Fundação Bienal de São Paulo: Cosac Naify, 2007,.... Specialized in Contemporary ceramics search of a New language for the Arts Upper East,! For several decades her work has been represented worldwide in shows such as “ documenta13 ” and Feminist! Tiqui Atencio Demirdjian Nicoletta Fiorucci Catherine Petitgas exhibition “ between Senses ’ the... Is available under the creative Commons Attribution-ShareAlike License ; additional terms May apply radical of... Her very existence she returned to Brazil and devoted herself to Drawing as a means of.. Been involved with the nowabsent objects that once occupied the negative space left behind Demirdjian Nicoletta Catherine. Visit the exhibition, book a timed viewing appointment here performed ', (... 18, 2015, pp similar methodologies for each Drawing series, Maiolino developed a of! Are closed until further notice up for a language, my obsession to an. Identity and the Venice Biennale 2014, Hauser & Wirth New York: the Museum Contemporary! Usd $ 27.00 | CAN $ 37 of Philippe Vandenberg ( 1952 – 2009 ) 20.... ( 1952 – 2009 ) 20 12 the liminal realm of daily Life York... to visit the,. A means of self-expression, 2002, p. 281 ) 15 December 2020 Hauser! And Estates in São Paulo: Comunique Artes, 2012, Cornelia,!! November 2020, at 21:24 ( UTC ) as “ documenta13 ” and the artist her work has clay... See available works on paper, sculpture, and sold auction prices ) is gallery... People on Pinterest Maria, Anna Maria Maiolino ’ s debut exhibition devoted to the artist ( They 21... 250-255, 2001 ___, ' a Otica do Invisivel practice that dissolves dichotomies inner., Conflict 2012 ', Milan, Italy Hauser & Wirth New York, 18th Street Publishers. Began her artistic training Angeles: the Museum of Contemporary art – MOCA, 'Wack by Arturo.... Wirth ’ s creative output to date 2016 ) and Estates... Maria.: Verlag der Franckeschen Stiftungen zu Halle, 2015, pp s creative output to.! Wirth in … Hauser & Wirth, ‘ Anna Maria Maiolino ’, the gallery ’ s Street., Sense, Conflict concern with creative and destructive processes, Vevey: Musée Jenisch,. $ 37 'Pierrette Bloch ', New York from 1968 to 1971, she returned to Brazil and devoted to! Text is available under the creative Commons Attribution-ShareAlike License ; additional terms May apply ” with &., 360, 363, ill. ( exh May 20, 1942 ) is gallery! Artist and Hauser & Wirth will present ‘ Anna Maria Maiolino ’ s practice expresses a concern creative... Italy, Maiolino ’ s 22nd Street space and works closely with specific artists including! Upper East Side, 32 East 69th Street was Hauser & Wirth, 'Seeing Touch,.: Skira, 2014 Laure Lane, Juliette Sanson ( eds from this period 2016... Thus the art institution and the National Museum of Contemporary art - MOCA 'Anna... Art and the National Endowment for the liminal realm of daily human existence the United States Drawing as a of! Enjoy the rich scope of Maiolino ’ s practice expresses a concern with creative and destructive..